After returning to Paris in 1973, he joined Michaël Lévinas and Roger Tessier, in founding the musical collective « L'Itineraire », which would become a precious laboratory for his research in the domain of instrumental composition, the use of live electronics and computer assisted composition. The same year, he composed La Dérive des continents and Les Nuages de Magellan, which are typical of his first style with pieces incorporating an uninterrupted sonic magma, without articulation or real evolution. Sables (1974) and Mémoire/Erosion (1975-1976) typify two of the composer's subsequent stages toward increased refinement.
In 1980, the composers from l'Itinéraire took part in a computer music workshop at Ircam. This experience would have a decisive impact on the evolution of Tristan Murail's music, as he had begun using computers to increase his understanding of acoustical phenomena. In 1982-1983, he composed Désintégrations, his first experience with superimposed instrumental and synthesized sounds. With Serendib (1991-1992) and other works from that period (La Dynamique des fluides, La Barque mystique), his music attained an extreme state of subdivision, articulation and unforeseeable development. Between 1991 and 1997, he collaborated with Ircam, teaching composition and participating in the development of the « Patchwork » program as a compositional aid. He also taught at numerous festivals and institutions, in particular the summer courses at Darmstadt, the Abbaye de Royaumont and the Centre Acanthes.
Tristan Murail now lives in the United States and, since 1997, is professor of composition at Columbia University.
Légendes urbaines, was premiered on November 21, 2006 at the Cité de la musique in Paris by Ensemble intercontemporain conducted by Jonathan Nott and Contes cruels - a commission from the Dutch Radio for the Output Festival -, on September 28, 2007 at the Muziekgebouw in Amsterdam as part of the Gitaarfestival.
© Ircam - Centre Pompidou, 2008.
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